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Trumpet whiz Brian Lynch multiplies his talents again, times seven

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Album review: Brian Lynch — 7 x 7 by 7 (Hollistic MusicWorks)

Trumpeter Brian Lynch knows and cherishes jazz history and his jazz story. His achievement is “a place in a lineage,” he comments. He opens his latest album with a warm, lovingly stylish tribute to a formative experience, winning a college jazz contest with his Wisconsin Conservatory of Music ensemble.  “In the Riv” references the Buick Riviera driven by Tony King, the genius educator (I studied with him, too) who led Brian and company long ago to a Notre Dame music competition his ensemble won gloriously.

One of Brian’s first regular professional gigs was playing as a front line fill-in for touring arists at the Milwaukee Jazz Gallery. I once saw him do a gig at a Milwaukree bar with bop sax giant Sonn Stitt. He would return later join bands led by Horace Silver, Phil Woods, and Art Blakey’s Jazz Messengers.

The two-time Grammy winner is internationally acclaimed, but another sign of his local loyalty was picking Milwaukee-born saxophonist Greg Handy who absolutely shines throughout.

Tenor saxophonist Craig Handy (left ) and leader Brian Lynch in the studio, recording Lynch’s new album, 7 x 7 by 7.

“High Point of the Hang” turns up the Latin beat, a Lynch specialty, and Handy’s solo deeply digs the pocket while telling a wonderful short-short story. Part of the triplicate concept (seven tunes by seven musicians) is all tunes running seven minutes flat, a feat of recording studio manipulation. This contributes to concise solos throughout. Yet tempos and moods shift tastily, until Lynch takes a deep conceptual and temporal breath with “Greeting on 87th Street,” an ode to his lover. Lynch unfurls ardent tenderness and Handy ups the passion quotient with his tenor’s fiery soulfulness. Only a tenor sax can blaze like this. The other hidden star is pianist Luis Perdomo, who especially delivers late: on “Greeting” his pealing arpeggios and clangorous yet tender chords make the lover believe him.

Then on the closer, “Finnegan’s Garden,” an ode to Lynch’s pet dog, the pianist’s thick chords feel like their stroking fur then a sinuous melody sings joyously, an alluring sequence where a dog might just howl along.

Get 7x7by7 at Amazon here.

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This review was oriiginally published in The Shepherd Express, Here: https://shepherdexpress.com/music/album-reviews/7x7by7-by-brian-lynch/

Dave Bayles leads us down the road not taken

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The musicians tip jar, accompanied by The Dave Bayles Trio, at The Uptowner Bar. All photos by Kevin Lynch

THE DAVE BAYLES TRIO AT THE UPTOWNER BAR, EVERY TUESDAY

THE DAVE BAYLES QUARTET AT RIVERWEST PIZZA, FRIDAY, JULY 8

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“I took the one less traveled by/ And that has made all the difference.” – Robert Frost, “The Road Not Taken.”

 

Dave Bayles is something of a poet of the drums. Since the drums are the most fundamental of instruments in jazz, and in most African-American vernacular musics, that sort of makes him a poet of musical essences. You can hear and feel the magnetic power of his verse-like cadences in the propulsive swing he generates with other musicians.

This skill is so well established that he’s arguably Wisconsin’s premiere straight-ahead jazz drummer. He’s best-known as the long-time drummer of the all-star sextet We Six. That band comprises faculty of the Milwaukee Jazz Institute, where Bayles is principal percussion instructor. For many years, Bayles has also driven the engine of The Dave Stoler Trio, led by the powerhouse Madison pianist. He’s also backed up many big jazz names, including Peter Bernstein, Rick Germanson, Benny Golson, Slide Hampton, Brian Lynch, Brother Jack McDuff, Charles McPherson, Melvin Rhyne, and Phil Woods. Bayles is also now drumming for the resurrected Toty Ramos Latin Jazz Sextet, which played at Riverwest Pizza last week.

 

Drummer-bandleader Dave Bayles at The Uptowner

However, all that implies a well-trod path, gilded with justifiable esteem, along which the heartbeat of modern mainstream jazz strides. Fair enough.

And yet, quiet as it’s kept, the drummer-bandleader has led THE DAVE BAYLES TRIO, an intimate and compulsively exploratory trio gig through the backroads of the pandemic to the present – every Tuesday night at The Uptowner Bar, on the corner of Humboldt Boulevard and Center Street in Milwaukee.

The Dave Bayles Trio, (L-R) Russ Johnson, trumpet; Dave Bayles, drums; Clay Schaub, Bass.

“It is a delightful, creative group that I thoroughly enjoy,” Bayles muses modestly. Yet the trio has built much intrepid synchronicity along the road not taken. They plan on releasing a live album recorded at The Uptowner. 

The regular trio includes the redoubtable and elastically adaptable bassist Clay Schaub. Out front is Russ Johnson, IMO the Midwest’s most powerfully creative and masterful trumpeter – north of Chicago’s Wadada Leo Smith and Marquis Hill, who now actually spend most of their time on the East Coast.(p.s. This Tuesday, July 12, Johnson and Schaub will be out of town. They will be replaced for this week by alto saxophonist Clay Lyons and bassist Doug Hayes.)

Russ Johnson at The Uptowner

So, if you stop by on a Tuesday night, you’ll begin to sense the phenomenon of talent and creative verve that sustains Johnson’s pre-eminence, which he reasserted recently in Madison in an all-star jam session led by the brilliant pianist-composer Johannes Wallmann, to celebrate the retirement of two veteran and beloved Madison jazz radio programmers. That night, Johnson’s trumpet blistered through the firewall of wonder when the music called out for it, and sang seductively at other times.

The informal vibe of The Uptowner is conductive to experimentation and unfettered daring, to venturing a few huge steps beyond.

So, if you want a taste of what the great jazz writer Whitney Balliett once called “the sound of surprise,” stop on by.

The venerable building that houses The Uptowner recently had its roof replaced, and Bayles relates that “someone said that one night we blew the roof off the joint.” Hyperbole? It may not be so improbable. This ship is full-steam ahead. Bayles asserts, “The gig will be going on until the building falls down.”

Here are a few photos of the group at The Uptowner, “workin’ and steamin’ ” into a stratosphere that’s a free ride for all patrons.

Ah, but don’t forget the musicians tip jar.

 

 

THE DAVE BAYLES QUARTET AT RIVERWEST PIZZA: And yet, now that summer is high, Bayles is about to debut a new quartet outdoors, on the beguiling terrace of Riverwest Pizza, 932 E. Wright Street, from 6 to 9 p.m. this Friday, July 8. This quartet features singer Pamela York, saxophonist Chris Medsen, and bassist Jeff Hamann. Bayles hopes to continue this gig, though at intervals less frequent than his trio at The Uptowner.

Regardless, this quartet promises to be a breath of fresh air, in the best sense.

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