Elaine Pagels illuminates America’s historical moment

Blogger’s note: When I do direct readers to other published material, I strive for that which is available to the general public. But this article is so important in my view that I urge Culture Currents patrons to read it, despite the fact that, to do so one needs to sign in as a subscriber to The Atlantic, start a free trial, or subscribe. Also, the November print edition of the magazine should be available at most public libraries. 

The article is titled “The Moral Foundation of America” by Elaine Pagels. I caught up with it recently when I returned to the remarkable November issue of The Atlantic magazine, which honors the nation’s 250th anniversary with a series of substantial essays on the topic of America. Pagels is ostensibly a historian emeritus of religion from Princeton University.

But she is widely esteemed as a historian more generally, as this essay underscores. It is quite brief and concise, but it boils down the revolutionary history of the American Experiment in Democracy, and the Declaration of Independence and Bill of Rights as running counter to most of the recorded history of humankind, in which kings and rulers accorded moral authority upon all whom they preside.

Historian Elaine Pagels. Courtesy radiowest.keur.org

Pagels explains Thomas Jefferson’s declaration principles of human equality and freedom as “intrinsic rights” of all and based on the Enlightenment and the Book of Genesis in the Bible, as well as the teachings of Jesus (She notes Jefferson’s own personal failure to live up to those principles as a slaveowner, something he long struggled with.).

So, you see how the Founders culled and synthesized sterling ideas of both secular and religious traditions to create something unprecedented in human history, and the beacon of guidance for democracy to the world ever since.

Her conclusion, however, is pointed — that perhaps the Founders’ greatest fear was a kind of reversion in America to monarchial rule: “power maintained by means of fear, autocracy and military force.”  That is just what we are seeing now in the current administration, she says, which seems morally unmoored from America’s fundamental values.

I don’t believe I’ve read anything since the start of the devastating second Trump administration that provides insight better into the ideals that America, with all its flaws, stands for and, thus, what is at stake.

Here is a link to the Pagels article: .https://www.theatlantic.com/magazine/archive/2025/11/america-founding-morals-rights-life-liberty/684327/: 

 

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Elaine Pagels’ most recent book is Miracles and Wonder: The Historical Mystery of Jesus.

Culture Currents nabs a 2023 award for “best critical review” from Milwaukee Press Club

A Culture Currents review of saxophonist Miguel Zenon and pianist Luis Perdomo (above) won a 2023 Milwaukee Press Club award for “best critical review.”

The Milwaukee Press Club is the oldest extant press club in the world, it claims, so there’s baked-in gravitas to the annual journalism awards it gives out. All judges are out-of state to maintain integrity in this state-wide cemptition.

Culture Currents won it’s third award from the press club for best critical review, after two previous first-place gold awards. This time it received a silver, which is second place.

Culture Current’s Kevernacular (Kevin Lynch) displays his 2023 silver award for “best critical review” from The Milwaukee Press Club. Photo by Ann K. Peterson

I happened to read the three finalist entries for “best critical review” and I would concur with the judges on the top prize for best review. It went to coverage of a remake of Edward Albee’s laceratingly acerbic play “Who’s Afraid of Virginia Woolf?” staged by the Milwaukee Chamber Theater. The review was written for Urban Milwaukee by Dominique Noth, coincidentally my editor many years ago, at the old pre-merger Milwaukee Journal. Features editor at the time, Dom was always a highly accomplished theater and film critic, and proved it once again. His review commented comparatively with his memory of seeing the play on Broadway in the early 1960s.

The bronze award for criticism went to another former colleague of mine, Rob Thomas, long-time pop music and film critic for The Cap Times in Madison, for his excellent review of Bruce Springsteen live in Milwaukee.

Culture Currents received the silver award for its review “Miguel Zenon builds a bridge from his Puerto Rican soul to the world.” The subject was a sublimely affecting and lyrical duo concert by MacArthur “Genius” Award-Winner saxophonist Miguel Zenon and his longtime mate  pianist Luis Perdomo at The Art + Lit Lab for the 2023 the Madison Jazz Festival. In a program titled “El Arte del Bolero,” they interpreted popular songs they grew up with in their native Puerto Rico and it was a pan-cultural revelation. Here’s the review:

https://kevernacular.com/?p=15647

The awards were presented at the annual Gridiron Awards Dinner at the Pfister Hotel, always a highlight of the year in Wisconsin journalism. The event always features two “newsmaker award” winners, one of whom was ex-Packer Hall of Famer Leroy Butler.

Leroy, one of the most popular and celebrated athletes in Wisconsin,  was charmingly humble and funny in his acceptance speech.

Green Bay Packer Hall of Famer Leroy Butler (right, with a local news reporter) received a “Newsmaker” award at the 2024 Milwaukee Press Club Gridiron Awards Dinner.

The event “climaxes” with a speech by a nationally known figure in journalism. In this case that was James Bennet, former editor-in-chief at The Atlantic magazine, and former Editorial Page Editor at The New York Times, when the page won two Pulitzers. He’s currently a columnist at The Economist.

Bennet was a trenchant political and journalistic commentator and impressed us by explaining he’d read a certain sampling of our entries — not anything he was requested to do — and felt heartened by the quality of our work. He even mentioned Dominique’s review of the Albee play. Such recognition is something for Wisconsin journalists to build on in an uncertain future for the profession.

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The Atlantic’s own editor-in-chief explains why it is my favorite magazine

The cover of the print edition of the November 2022 The Atlantic. Courtesy The Atlantic

Not long ago, I said to a friend who, like most people today, does most of his reading online, that The Atlantic is the last magazine I would still subscribe to, if all others fell to the wayside by choice or circumstance.

I don’t normally tout publications per se in this blog, but The Atlantic has been my favorite for quite a long time, and now it’s editor has written a piece in the November issue that helps to explain why it is worthy of being a person’s favorite.

Much of this has to do with the publication’s storied history, having been born as an abolitionist magazine shortly before the Civil War. But current editor Jeffrey Goldberg opens his piece called “The American Idea” with an 1861 letter from Julia Ward Howe, expressing her melancholy and insecurities to the editor at the time. The editor, James T. Fields, was wise enough not to touch the copy of the poem she submitted with her letter. He gave it a title and published “The Battle Hymn of the Republic” on the first page of the February 1862 edition. “(Howe received, in return, a $5 freelance fee and immortality.)”, Goldberg adds drolly.

He goes on to point out that The Atlantic, in its 166th year of continuous publication, also published for the first time, “Longfellow’s “Paul Revere’s Ride,” and the first chapters of W.E.B. DuBois’s The Souls of Black Folk, Robert Frost’s “The Road Not Taken”, and Rachel Carson’s meditations on the oceans, and Einstein’s denunciation of atomic weapons, and so on, ad infinitum.”

Further, The Atlantic‘s founding mission statement (reproduced in Goldberg’s article) was signed by various luminaries including Ralph Waldo Emerson, who appeared in the first issue; Oliver Wendell Holmes, who came up with The Atlantic‘s name; Nathaniel Hawthorne, who would become the magazine’s Civil War correspondent; Herman Melville (Moby-Dick), and Harriet Beecher Stowe (Uncle Tom’s Cabin), America’s most popular author at the time.

Goldberg’s only expressed regret about that time is that, given that Moby-Dick is his favorite American novel, that  Melville never found a way to contribute. That would be my sentiment exactly regarding Melville, who ended up publishing short pieces for Harpers, another long-time American magazine.

I have many reasons why the current magazine is my favorite, partly for it’s intelligence, it’s allegiance to no group, party or clique, and its cultural and political range. “We always try very hard to be interesting. That is a prerequisite,” Goldberg explains.

They succeed, too, which is why, even though some stories are long “thumbsuckers,” they almost invariably hold my interest and, if I don’t finish them, it’s my failing.

Here is Goldberg’s introductory article in the latest issue in full: https://www.theatlantic.com/magazine/archive/2022/11/165th-anniversary-atlantic-magazine-founding/671523/

p.s. As for your blogger, I submitted an article once — about Wisconsin guitar innovator Les Paul, Bob Dylan and Michael Bloomfield — to The Atlantic and, though chagrined, I was honored to receive a personalized, hand-written “no thank you” note from an editor from the magazine. The article was eventually published in NoDepression.com. Here’s the note. which I valued enough to frame.

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