My All-time Best Americana/Roots albums.

While I’m on a list-of-greatest kick…Most of us like lists I think, because they’re so debatable, and second guessable ( Is that a word? Second-guess me.)

So here’s my Top Ten-ish All Time Best Americana/Roots Albums

–          The Band (eponymous) 1969/also Music from Big Pink 1968. Yes, THE Band which dug a deep mountain pathway to rough-roots Eden with their bear-hugging vocal harmonies, reelin’ and stompin’ melodies, grab-bag of axes, and Garth’s long, mystery-train keyboards and Robbie’s spittle-pouting guitar.

–          The Paul Butterfield Blues Band (eponymous) 1965/also East-West 1966. Pretty damn close to THE Band, depending on my mood. They ground up the blues like deli fools and swung ’em like a buncha punks tough enough to laugh em’ off. Then, on the second album, came the song that sounded like forever in several musical languages, conceived in Bloomfield’s insomnia-raga fever. The the band embraced it with gusto — wrangling, slashing and runnin’ like two trains. Then they let go, mid-stream, and breathed in deep satisfaction over the air-borne beauty they’d unleashed. Finally a flaming exclamation point from Butterfield’s harp. Amen.

–          Guy Clark — Hindsight 21-20: Anthology 1975-1995 2007 I always think of Clark as the true, eagle-eyed craftsman, leaning over, breathing heavy, as he tools a guitar ever so finely and then he sits back and sighs, finger plucks a chord and…out burps the first-phrase of a song with the words fitting its softly-sanded shoulders like finely-hammered brass filigrees. And then the man grew older, carrying a crusty grace in a lumbering stride, but he kept picking and sanding and driving that L.A. freeway till he finally got killed or caught.

–          Bob Dylan —  Freewheelin’ Bob Dylan 1963/ or Blood on the Tracks 1974/ also Blonde on Blonde 1966. This follows The Bard from his peppering the old Smith-Corona like a madman creating scenes as rich and deep as the dreams he was almost afraid to confess but couldn’t help himself. And then two versions of an older man with plenty to say: railing, moaning, bitching and sailing. Blonde 2 is the man falling back relaxing, and finding his long, romantic stroke.

–          Steve Earle – Guitar Town 1986 / and Copperhead Road 1988/and  Steve Earle and the Del McCoury Band The Mountain 1999 Here’s a perfect portrait of the nothin’-to-lose, snot-nosed white trash, who might’ve voted Trump, except this dude really digs into the facts, as if they matter like life. He can stand back and watch his own idiocies like a big brother, and get angry but not foolishly self-righteous. The second time he cranks up a double-barreled road rock band driving with the devil’s right hand and the pistol on his hip. again the big bro named Del saves him, but just barely. Because he’s a strung-out lout just as much as a hung-up heart. And the other brother turns out to be Del and his boys and Steve loves the gathering history of his music like a wolf that just can’t stop howling at that old devil moon.

–          The Flying Burrito BrothersThe Definitive Collection 2002 (2 CDs)

–          The Grateful  DeadWorkingman’s Dead 1970

–          Essential Waylon Jennings — [RCA Nashville/Legacy] (the 2 CD set) 

–          Robert Johnson — The Complete Recordings 2011 (2 CDs)

–          B.B. KingHow Blue Can You Get? Classic Live Performances 1964-1994 (2   CDs

–          Uncle Tupelo — March 16-30 1992/ No Depression 2003

–          Ralph Stanley — Saturday Night & Sunday Morning 1994

–          Townes Van ZandtLive at the Old Quarter 1977/and Be Here to Love Me

–   (soundtrack) 2007 (2 CD soundtrack)

–          Gillian WelchTime (The Revelator)2001 (CD cover photo [below] by Mark Seliger)

–          Lucinda WilliamsCar Wheels on a Gravel Road 1996

Yeah, it’s a top 15 plus – and I cheat by doubling up (with slashes) on great albums for several artists, three for Earle. This is an odd compromise between great albums conceived by the artists and compilations that do justice to their careers. These are all great introductions and I would hope that those trying out the compilations would search out the artist’s individual album “statements.”  Then you might share your compilations with a budding Americana fan. Among great album statements, you could choose any Dylan album up through 1975 when The Basement Tapes was released except Self-Portrait. The overlooked Dylan album is New Morning. I could’ve included Johnny Cash at Folsom Prison, for its bullish historical force, and his proud fistful of American Recordings as one of the most wrenchingly grand swan songs ever to take wing over a setting sun. I might’ve included Nancy Griffith’s Other Rooms, Other Voices, but it’s currently out of print. It set an early standard for the tributes-to-other-artists albums that proliferate today, a notable example is Steve Earle’s Townes. Emmylou Harris, Joni Mitchell (Blue, probably) and Iris DeMent should be on the list, but I couldn’t really decide on one or two albums, reflecting their consistent songwriting output.

Among the under-represented young artists I might start with Justin Townes Earle’s Harlem River Blues, Tedeschi-Trucks Band’s Revelator and the Avett Brothers’ Live,Volume 3. and Old Crow Medicine Show’s eponymous album. Not so much country here because the request for a list came from a person on nodepression.com who already knows country. But for those who don’t, investigate Waylon (above), Hank Williams, Patsy Cline, Gram Parsons, Willie Nelson, Patty Loveless, George Strait, Dolly Parton’s bluegrass albums, Bill Monroe,  Kathy Mattea (Coal, photo [below] by James Minchin), Hazel Dickens, Merle Haggard, Buck Owens, Vince Bell, Richard Dobson, Ray Wylie Hubbard, The Carter Family, Johnny Cash, Jim Lauderdale, Dwight Yoakam, Wayne Hancock, Robert Earle Keen, O, Brother Where Art Thou (soundtrack)…

Among unlisted roots rockers I’d include Neil Young, John Mellencamp, The Allman Brothers, Los Lobos, Alejandro Escovedo, Bruce Springsteen, Eric Clapton, The Flatlanders and John Hiatt, for starters. And among seminal Americana blues/R&B artists I’d include Son House, Otis Rush, Taj Mahal, Howlin’ Wolf, Aretha Franklin, Al Green, Bessie Smith, Junior Kimbrough, Magic Sam, Paul Geremia and Otis Taylor. Among the exciting newer country blues artists is Gary Clark Jr. and Charlie Parr, who’s from Minneapolis. Check out Parr’s album When the Devil Goes Blind.

Again I’m guilty of “listyness,” but that was the premise, right?

2 thoughts on “My All-time Best Americana/Roots albums.

  1. Steve Earle has done so much great stuff, but I find myself returning to Guitar Town and Copperhead Road over and over and over.

    • Yes, Jane Rose,
      Glad you agree about those titles. I also listen to “The Hard Way” for “Justice in Ontario” and especially for “Billy Austin,” which is always rather devastating, with its kicker line. I played “Billy” for my Marquette composition class, once when we were discussing capital punishment, and the smart ones really got it. A guilty pleasure is “You’re Still Standing There,” the Lucinda duet on “I Feel All Right,” another strong overall album. I think I told you about the time I auditioned for the Bakersfield Californian by reviewing Earle in a tiny club. He was overpowering in close proximity those days (say, ’88?) Keep reading and stay in touch.

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