{"id":7186,"date":"2016-02-25T22:22:25","date_gmt":"2016-02-25T22:22:25","guid":{"rendered":"https:\/\/kevernacular.com\/?p=7186"},"modified":"2016-02-25T22:22:25","modified_gmt":"2016-02-25T22:22:25","slug":"ches-smith-carves-out-his-own-resonant-space-in-chamber-jazz","status":"publish","type":"post","link":"https:\/\/kevernacular.com\/?p=7186","title":{"rendered":"Ches Smith carves out his own resonant space in chamber jazz"},"content":{"rendered":"<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_left\"><div class=\"fcbkbttn_button\">\n\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/Kevin Lynch\" target=\"_blank\">\n\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/kevernacular.com\/wp-content\/plugins\/facebook-button-plugin\/images\/large-facebook-ico.png\" alt=\"Fb-Button\" \/>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><div class=\"fcbkbttn_like fcbkbttn_large_button\"><fb:like href=\"https:\/\/kevernacular.com\/?p=7186\" action=\"like\" colorscheme=\"light\" layout=\"button_count\"  size=\"large\"><\/fb:like><\/div><div class=\"fb-share-button fcbkbttn_large_button \" data-href=\"https:\/\/kevernacular.com\/?p=7186\" data-type=\"button_count\" data-size=\"large\"><\/div><\/div><p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7188\" data-permalink=\"https:\/\/kevernacular.com\/?attachment_id=7188\" data-orig-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri.jpg\" data-orig-size=\"600,330\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"smith-taborn-maneri\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri.jpg\" class=\"aligncenter size-full wp-image-7188\" src=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri.jpg\" alt=\"smith-taborn-maneri\" width=\"600\" height=\"330\" srcset=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri.jpg 600w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri-300x165.jpg 300w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/smith-taborn-maneri-500x275.jpg 500w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>The Ches Smith Trio: Craig Taborn, piano; Mat Maneri, viola; Ches Smith, percussion. hallwalls.org.<\/em><\/p>\n<p><strong>Ches Smith <em>The Bell<\/em> (ECM)<\/strong><\/p>\n<p>Music of <em>The Bell<\/em> seems about the interplay of the subtlest of overtones, not unlike the layered harmonic convergences of multiple bells when played on a steeple. That\u2019s a way of imaging and accessing this chamber jazz, which sometimes elides listener engagement with minimalist vamps and fragmented indirection. Underlying, more promisingly, is a sense of internal three-way dialogue.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7189\" data-permalink=\"https:\/\/kevernacular.com\/?attachment_id=7189\" data-orig-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/ches-cover.jpg\" data-orig-size=\"319,278\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ches cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/ches-cover.jpg\" class=\"aligncenter size-full wp-image-7189\" src=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/ches-cover.jpg\" alt=\"ches cover\" width=\"319\" height=\"278\" srcset=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/ches-cover.jpg 319w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/ches-cover-300x261.jpg 300w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/p>\n<p>The title piece opens, casting a suspenseful aura. Vivid scenarios unfold &#8212; Mat Maneri\u2019s musky viola often serpentine and mysterioso &#8212; and arrestingly on \u201cI\u2019ll See You on the Dark Side of the Earth.\u201d A songful purposefulness arises in the latter part of \u201cI Think.\u201d That vigorously fraternal sparring leads to \u201cWhacken Open Air<em>\u201d <\/em>with a funky, push-pull tension that fully employs some of pianist Craig Taborn\u2019s powers of dynamic attack and improvisational resource. \u201cIt\u2019s Always Winter (Sometimes)\u201d seems to tell an under-heated but sympathetic winter\u2019s tale, with each player allowed enough to play to presume a character\u2019s presence. In all, Taborn\u2019s performance skills feel underused, but this is spatial art music. (Kevin Lynch)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7190\" data-permalink=\"https:\/\/kevernacular.com\/?attachment_id=7190\" data-orig-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell.jpg\" data-orig-size=\"1500,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bell\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell-1024x683.jpg\" class=\"aligncenter size-full wp-image-7190\" src=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell.jpg\" alt=\"Bell\" width=\"1500\" height=\"1000\" srcset=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell.jpg 1500w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell-300x200.jpg 300w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell-1024x683.jpg 1024w, https:\/\/kevernacular.com\/wp-content\/uploads\/2016\/02\/Bell-450x300.jpg 450w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/p>\n<p>___________<\/p>\n<p><em>The Ches Smith ECM Trio performed on Feb. 23 at Bay View United Methodist Church, 2772 S. Kinnickinnic Ave., Milwaukee.\u00a0<\/em><\/p>\n<p><strong>This review was originally published in slightly modified form in <em>The Shepherd Express.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ches Smith Trio: Craig Taborn, piano; Mat Maneri, viola; Ches Smith, percussion. hallwalls.org. Ches Smith The Bell (ECM) Music of The Bell seems about the interplay of the subtlest of overtones, not unlike the layered harmonic convergences of multiple &hellip; <a href=\"https:\/\/kevernacular.com\/?p=7186\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-7186","post","type-post","status-publish","format-standard","hentry","category-www-kevernacular-com"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2hJWE-1RU","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/7186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7186"}],"version-history":[{"count":2,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/7186\/revisions"}],"predecessor-version":[{"id":7191,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/7186\/revisions\/7191"}],"wp:attachment":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}