{"id":1625,"date":"2013-03-23T17:39:22","date_gmt":"2013-03-23T17:39:22","guid":{"rendered":"https:\/\/kevernacular.com\/?p=1625"},"modified":"2021-06-26T14:11:19","modified_gmt":"2021-06-26T19:11:19","slug":"following-the-inextiguishable-flight-of-the-grateful-deads-dark-star","status":"publish","type":"post","link":"https:\/\/kevernacular.com\/?p=1625","title":{"rendered":"Following the inextiguishable flight of The Grateful Dead&#8217;s &#8220;Dark Star&#8221;"},"content":{"rendered":"<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_left\"><div class=\"fcbkbttn_button\">\n\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/Kevin Lynch\" target=\"_blank\">\n\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/kevernacular.com\/wp-content\/plugins\/facebook-button-plugin\/images\/large-facebook-ico.png\" alt=\"Fb-Button\" \/>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div><div class=\"fcbkbttn_like fcbkbttn_large_button\"><fb:like href=\"https:\/\/kevernacular.com\/?p=1625\" action=\"like\" colorscheme=\"light\" layout=\"button_count\"  size=\"large\"><\/fb:like><\/div><div class=\"fb-share-button fcbkbttn_large_button \" data-href=\"https:\/\/kevernacular.com\/?p=1625\" data-type=\"button_count\" data-size=\"large\"><\/div><\/div><p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1632\" data-permalink=\"https:\/\/kevernacular.com\/?attachment_id=1632\" data-orig-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia.jpg\" data-orig-size=\"600,383\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jerry-Garcia\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia.jpg\" class=\"aligncenter size-full wp-image-1632\" src=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia.jpg\" alt=\"Jerry-Garcia\" width=\"600\" height=\"383\" srcset=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia.jpg 600w, https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia-300x191.jpg 300w, https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/Jerry-Garcia-469x300.jpg 469w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>Jerry Garcia approaching astral mode. Courtesy harmonycentral.com<\/em><\/p>\n<p><strong><em>Dicks Pick&#8217;s Volumes One and Two &#8212; <\/em>The Grateful Dead, released in vinyl limited editions of 2000 in late November 2012.<\/strong><\/p>\n<p>Many Deadheads will nod knowingly at my comments, but I&#8217;ve never been a true head, who ritualistically followed the Grateful Dead on their pied piper tours. Yet I can imagine doing it, especially after hearing them perform in Columbus, Ohio on the recording from October 31, 1971 from the bootleg series <i>Dick&#8217;s Picks Volume 2<\/i>.<\/p>\n<p>I\u2019ve listened to this before, but not with all my ears and this is a jazz head talking. I don&#8217;t think I&#8217;ve ever heard any musician sustain improvisations as beautifully as Jerry Garcia does on this evening.<\/p>\n<p>Perhaps such an inspired performance had to open with <i>Dark Star<\/i>, the band\u2019s quintessential astral jam journey. I&#8217;ve always loved the original Warner Bros.recorded version from <i>Live\/Dead <\/i>(a still essential document since the <em>Dick\u2019s Pick\u2019s<\/em> series is less available, with the new limited edition of vol. 2 reportedly sold out from its original source. However, check with your area independent stores. The CD versions of the<em> Dick&#8217;s Picks<\/em> series show up often in used bins 1). But Garcia takes this to another stellar plane with playing that bursts with crystalline fragmenting of his brilliantly evolved bluegrass banjo-and-blues picking, a song in woeful shards of wonder.<\/p>\n<p><i>Dark star crashes pouring its light into ashes\u2026 reason tatters\u2026the forces tear loose from the axis\u2026<\/i><\/p>\n<p>Mastering such technique seems to help sustain improvisation but Garcia takes it where <i>he<\/i> wants to go, never simply following the finger-memory intervals of his technique, at least not on this night.<\/p>\n<p>Most Dead fans know that Garcia lost his middle finger up to his knuckle in a childhood accident. I wonder, in the end, if he didn\u2019t learn thus to liberate his pick technique, from a wrist-orientation to a digital one, with that middle forefinger not impeding the pick\u2019s motion (see photo above).<\/p>\n<p>Towards the end of his <i>Dark Star<\/i> solo he comes up with a jazzy rhythmic chording groove which likely arose from rhythm guitarist Bob Weir\u2019s cue, which Garcia said often triggered his rhythmic and harmonic movement.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1635\" data-permalink=\"https:\/\/kevernacular.com\/?attachment_id=1635\" data-orig-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/1973-jamming.jpg\" data-orig-size=\"320,193\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"1973 jamming\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/1973-jamming.jpg\" class=\"aligncenter size-full wp-image-1635\" src=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/1973-jamming.jpg\" alt=\"1973 jamming\" width=\"320\" height=\"193\" srcset=\"https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/1973-jamming.jpg 320w, https:\/\/kevernacular.com\/wp-content\/uploads\/2013\/03\/1973-jamming-300x180.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/p>\n<p>G<em>arcia and Weir jamming in 1973 in Baltimore. Courtesy of www.deadlistening.com \u00a0<strong>2<\/strong><\/em><\/p>\n<p>As I recall from a 1984 concert at Alpine Valley, Garcia, his chin to his chest, would raise his craggy eyebrows and feel Weir&#8217;s fresh musical tugging. Here in &#8217;71, the chording launched him into a soaring flight of lyrical arabesques that brought tears to my eyes as I chopped supper vegetables. I hadn&#8217;t gotten to the onion yet. That\u2019s not unthinkable given that I&#8217;m something of an Irish sap. But it rarely happens when I&#8217;m listening to largely instrumental music.<\/p>\n<p><i>Lady in velvet recedes in the nights of goodbye\u2026<\/i><\/p>\n<p>Here one also hears again how supple and conversational a contrapuntal bassist Phil Lesh is, another spur to the lead guitarist.\u00a0Then the band reminded me how musical is one of their overlooked early songs,\u00a0<i>Sugar Magnolia.<\/i><\/p>\n<p>However, <i>St. Stephen<\/i> lost some intensity because apparently lead singer Bob Weir could not hit the higher key they performed in on <i>Live-Dead,\u00a0<\/i>and in Columbus the pre-<i>Workingman\u2019s Dead <\/i>vocal harmonies shamble along. But the playing hovers, luminous and mysterious.<\/p>\n<p>One of the reasons I\u2019d avoided listening to this side again was because the Dead\u2019s second drummer Mickey Hart was missing from the gig and I figured I&#8217;d miss the wonderful poly-rhythmic waves the drummers sustain so well. Yet Bill Kreutzmann does a magnificent job pushing the propulsively loosely-goosey Bo Diddley beat of <i>Not Fade Away<\/i>, a groove so infectious that they come back to the song at the end of the set. Between those two versions is one of the band\u2019s best play-it-in-their-sleep tunes, <i>Goin\u2019 Down the Road (Feelin\u2019 Bad), w<\/i>hich the legendary Big Bill Broonzy recorded with the Dead\u2019s enhancements to the traditional song.<\/p>\n<p>Here, as elsewhere this night, Garcia\u2019s pudgy fingers positively crackle, like demons dancing on hot coals. Of course, one of the secrets of this band&#8217;s greatness was that it stayed together for so many years and learned how to improvise telepathically, as do the greatest jazz bands. That synergy took them and their \u2018heads a long ways down the road, feeling bad, feeling good and a myriad of emotions between. Their many followers proceeded, and grew through generations. And so grew that guitar\u2019s nocturnal eagle cry, echoing forward through The Grateful Dead&#8217;s long, strange trip.<\/p>\n<p><i>Shall we go, you and I while we can\u2026through the transitive nightfall of diamonds\u2026*<\/i><\/p>\n<p><i>____________________<\/i><\/p>\n<p><i>*\u201dDark Star\u201d lyrics by Robert Hunter.<\/i><\/p>\n<p>1 <em>Dick&#8217;s Picks<\/em>\u00a0LE vinyl vol. 1-2 \u00a0available (with vols 3 and 4 for pre-order) from Brookvale records.com and various independent record stores: \u00a0https:\/\/www.youtube.com\/watch?v=mtF8hlR3pfM<\/p>\n<p>2. www.deadlistening.com is a valuable guide to hearing the Dead on and offline.<\/p>\n<p><i>\u00a0<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jerry Garcia approaching astral mode. Courtesy harmonycentral.com Dicks Pick&#8217;s Volumes One and Two &#8212; The Grateful Dead, released in vinyl limited editions of 2000 in late November 2012. Many Deadheads will nod knowingly at my comments, but I&#8217;ve never been &hellip; <a href=\"https:\/\/kevernacular.com\/?p=1625\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1625","post","type-post","status-publish","format-standard","hentry","category-www-kevernacular-com"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2hJWE-qd","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/1625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1625"}],"version-history":[{"count":22,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/1625\/revisions"}],"predecessor-version":[{"id":12465,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/1625\/revisions\/12465"}],"wp:attachment":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}