{"id":14769,"date":"2022-08-11T15:33:18","date_gmt":"2022-08-11T20:33:18","guid":{"rendered":"https:\/\/kevernacular.com\/?p=14769"},"modified":"2022-08-14T10:30:01","modified_gmt":"2022-08-14T15:30:01","slug":"brian-lynch-opens-his-own-songbook-again-and-a-swinging-bird-flew-out-singing-a-song","status":"publish","type":"post","link":"https:\/\/kevernacular.com\/?p=14769","title":{"rendered":"Brian Lynch opens his own songbook again, and some frolicking birds flew out, singing a song"},"content":{"rendered":"
\n\t\t\t\t\t\n\t\t\t\t\t\t\"Fb-Button\"\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>
<\/fb:like><\/div>
<\/div><\/div>

\"\"<\/p>\n

The Brian Lynch Quintet will perform at an album release event for Songbook Volume 2<\/em>, at Bar Centro, 804 E. Center St., 8:30 p.m. Friday, Aug. 12. Tickets @milwaukeejazzinstitute.org \u00a0<\/strong><\/p>\n

 <\/p>\n

A Thumbnail Brian Lynch Primer: <\/strong><\/em><\/p>\n

Brian Lynch’s trumpet burns, sings and rings the chimes of freedom, within your musical mind, and body.<\/p>\n

He is also among the very best — among a steady but small class of musical culture- forgers. Nope, not forger as in faker.<\/p>\n

I use forger, the perhaps nakedly exposed subject noun, because Lynch is<\/em> forging fresh original musical edifices that dance in the wind, as he honors and plumbs the past. He’s mastered the modern jazz canon and advances the vernacular like nobody’s business.<\/p>\n

He now supposes to ask: What about my sense of melody, harmony, and composition? He’s proven his ability’s on <\/span>Songbook Vol 1,<\/em> and across his storied career. So this is a typically high-grade Lynch release with studio players of any renown, of his choice.<\/span><\/p>\n

Spoiler alert:<\/em> Lynch wrote all the tunes on Songbook Vol. 2: Dance the Way U Want To<\/em>.<\/p>\n

Fear not. This is a typically high-grade Lynch release, with chosen studio musicians of any renown, of his choice, all ace purveyors of Cubano-Latin Jazz. \"\"<\/p>\n

‘Tis is as much fun as you can have on a Brian Lynch album, even as its musical limbs are plenty meaty enough to step further into the fray of chaos, to make gleaming, spontaneously choreographed, swinging music out of it. He knows how to do that as an composer and arranger, having worked in the highest levels of mainstream jazz, in most of its group forms. (specific review at bottom)<\/p>\n

After all he’s a Grammy Award winner for his own big band’s brilliant recording The Omni-American Book Club\/ My Journey through Literature in Music.<\/em> The two-CD session featured Donald Harrison, Regina Carter, Dafnis Prieto, Dave Leibman, and Orlando “Maraca” Valle, and Jim Snidero. Lynch burnishes the modern big band style with literary influences that speak profoundly to the troubles — and defiant potential — of a less-than-humane world, tight-roping their humanity between capitalists and real or neo-authoritarian governments.
\nHis musical ensemble comrises various people he works with often in his Latin American musical travels as a music professor in Florida and through jazz upper circles of influence.<\/p>\n

That two-CD aIbum grew from his deep reading of, among other writers, the pioneering African-American sociologist, socialist, historian and civil rights activist W.E.B. DuBois. The album \u2014 featuring Donald Harrison, Dave Liebman, Jim Snidero, and Regina Carter, among others \u2014 climaxes a series of concept albums involving tributes to \u201cunsung heroes\u201d among trumpeters, a sequence which included his 2016 album commemorating the work of the great, short-lived post-bop trumpet master Woody Shaw, titled Madera Latino.\u00a0<\/em>That two-CD set \u2014 which also features fellow trumpeters Dave Douglas, Sean Jones and Philip Dizack \u2014 was Grammy-nominated for Best Latin Jazz Album. All of the trumpeter-tribute albums and the big-band recording are on Lynch\u2019s own Hollistic Music Works label.<\/p>\n

His previous album Brian Lynch Songbook Vol. 1:\u00a0<\/em>Bus Stop Serenade<\/em>, suggested his own street cred, and shows that he long ago found his own voice as a composer, as well as a trumpeter, on previous recordings. Those often involved African-American recording collaborators and mentors like Milwaukee\u2019s Melvin Rhyne and Buddy Montgomery, and saxophonists Harrison, Ralph Moore and Javon Jackson with whom he paired up for the front line of the final edition of Art Blakey and the Jazz Messengers, perhaps the most legendary hard-bop band in jazz history. He also worked with another iconic hard-bop group, The Horace Silver Quintet, a post-bop quintet with Phil Woods, as well as the ground-breaking Toshikio Akiyoshi-Lew Tabackin Jazz Orchestra.<\/p>\n

Following are a few photographic lights of fire in Brian Lynch’s long legacy. What follows is my review of Songbook: Vol. 2<\/em>, to be released Aug. 12.\u00a0\u00a0<\/strong><\/p>\n

\"\"In Ralph Peterson and the Messenger Legacy, trumpeter Brian Lynch revisits his front-line fellows, Bobby Watson (left) and Billy Pierce (right), from the final edition of Art Blakey and the Jazz Messengers. Photo courtesy jimmysoncongress.com<\/em><\/p>\n

\"\"<\/p>\n

Brian Lynch’s educational and performance roots:<\/strong> This award-winning Wisconsin Conservatory of Music student jazz ensemble from the early 1980s, included Brian Brian Lynch on trumpet in the center. From left are guitarist John Zaffiro, drummer Mark Davis, bassist Al Anderson, pianist Marcus Robinson. To Lynch’s left are tenor saxophonist Rolla Armstead and trombonist Hary Kozlowski. Overseeing them is jazz program co-director Manty Ellis, at far right. Courtesy Milwaukee Journal-Sentinel<\/em><\/p>\n

** ****<\/em><\/p>\n

REVIEW:<\/strong><\/p>\n

Brian Lynch and Spheres of Influence — Songbook Vol. 2: Dance the Way U Want To<\/em> (Hollistic MusicWorks)<\/strong><\/p>\n

BY KEVIN LYNCH<\/p>\n

Most musicians wouldn\u2019t revisit their own original material, except in concert. But trumpeter Brian Lynch has always probed deeply into many of his artistic forebears, in his \u201cunsung heroes\u201d series and superb Woody Shaw tribute albums, among others. He eventually realized he\u2019d accumulated a deep repertoire of his own originals worthy of reimagining, and owning a label allows this. His self-inquiry remains fruitful on Songbook Vol. 2: Dance the Way U Want To<\/em>. It\u2019s a way of highlighting his personal \u201cspheres of influence,\u201d which he traces to his early days with Milwaukee\u2019s Latin Jazz band La Chazz. He crafted a style by expanding the bustling crossroads of Latin and modern jazz forms and expression.<\/p>\n

Songbook\u2019<\/em>s subtitle is a key, undercutting any pretense of honorific self-regard, and suggests: \u201cRespond any way you choose.\u201d Some Latin tempos get fast and complex, yet you can \u201cdance\u201d along, literally, or figuratively \u2013 \u201cgo with it,\u201d by halving the tempo and soaking it up. Yet Lynch invariably takes you by the hand, with his ever-affable lyricism, a rare gift for melody, even in the most heated trumpet improv. A primary \u201cinfluence sphere\u201d is the great pianist Eddie Palmieri with whom Lynch earned his first Grammy Award on 2006\u2019s Simpatico<\/em>. The opener \u201cE.P.\u2019s Plan\u201d offers bristling horn harmonies, and Lynch\u2019s solo pushes ideas like a dancer leading a mambo clave with el diablo.<\/em> By contrast, \u201cAcross the Bridge\u201d is a measured theme, seeming to signify a sturdy bridge for Latino and Norte American forms and sensibilities. Pianists Kemuel Roig and Alex Brown especially sustain the tricky Latin rhythms while expanding on sinuous solos, over electric bassist Rodner Padeilla, drummer Hillario Bell and percussionist Murphy Aucamp. 1<\/p>\n

Among a wide-ranging wealth of Lynch \u201cdance songs\u201d is a lovely speculative breather, the elegant bolero \u201cQue Seria La Vida\u201d (What Would Life Be Like?). It would be far poorer without the growing Brian Lynch oeuvre.<\/em><\/p>\n

The Brian Lynch Quintet will perform at an album release event for Songbook Volume 2<\/em>, at Bar Centro, 804 E. Center St., 8:30 p.m. Friday, Aug. 12. Tickets @milwaukeejazzinstitute.org \u00a0<\/strong><\/p>\n

____________<\/p>\n

This review was first publised in shorter form in The Shepherd Express<\/em>: Brian Lynch Songbook review<\/a><\/p>\n

    \n
  1. As with volume 1, Lynch offers\u00a0Songbook, Vol. 2<\/em>.<\/span>as a low-priced two-CD set, \u00a0In this instance, for the second disc, he’s recorded or edited shorter “radio versions of all the tunes, except one. Those average about five to six minutes. And smartly Lynch included duration times for everything. So you can take in the songbook in shorter drafts or soak it all the way up, like the Caribbean Sea, released dancing, somewhere down deep in your soul.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    The Brian Lynch Quintet will perform at an album release event for Songbook Volume 2, at Bar Centro, 804 E. Center St., 8:30 p.m. Friday, Aug. 12. Tickets @milwaukeejazzinstitute.org \u00a0   A Thumbnail Brian Lynch Primer: Brian Lynch’s trumpet burns, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[1497,1500,1499,139,1503,1116,1117,1498,655,1502,1145,1501,1504,1112,1496,395,1114],"class_list":["post-14769","post","type-post","status-publish","format-standard","hentry","category-www-kevernacular-com","tag-art-blakey-and-the-jazz-messengers","tag-billy-pierce","tag-bobby-watson","tag-brian-lynch","tag-brian-lynch-and-spheres-of-influence","tag-brian-lynch-songbook-vol-1-bus-stop-serenade","tag-brian-lynch-eddie-palmieri-project","tag-donald-harrison","tag-grammy-awards","tag-jim-snidero","tag-la-chazz","tag-ralph-peterson","tag-songbook-vol-2-dance-the-way-u-want-to","tag-the-brian-lynch-big-band","tag-the-the-omni-american-book-club-my-journey-through-literature-in-music","tag-w-e-b-dubois","tag-woody-shaw"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2hJWE-3Qd","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/14769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14769"}],"version-history":[{"count":26,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/14769\/revisions"}],"predecessor-version":[{"id":14817,"href":"https:\/\/kevernacular.com\/index.php?rest_route=\/wp\/v2\/posts\/14769\/revisions\/14817"}],"wp:attachment":[{"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kevernacular.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}